And who could blame him – a delightfully riotous assembly at the Gold Street Gossip Shop. Apologies for turning up late, although it might be that everyone else turned up early. Continue reading
Dream on, but Caren and her technical team will be filming during the jam session at the Leinster Arms on Sunday 6th May. She will be doing short interviews with a few musos, most of whom are so old and ugly it will probably end up a horror movie – she has spoken to a wide range of jammers, but make an effort to be there.
24th Feb 2018
The usual suspects appeared at the Leinster Arms Hotel on Sunday for a run through of the same old tired and hackneyed material that pre dates the construction of the Pyramids of Giza or is it Stone Henge? Continue reading
The first jam of the new 2018 year at The Leinster Arms will be on Sunday 21st January from 4pm until late.
Yes folks it is that time of the year again!
The big seasonal celebration will be held in the Atrium of The Leinster Arms on Sunday 3rd of December.
Every year this proves to be a lot of fun and time to catch up with a few Jammer friends.
Note that this also will be the last Jam for the year!
Sunday, November 19, 7 pm-late, at The Jazzlab, 27 Leslie Street, Brunswick
$25 & $20 concessions
Adrian Jackson is best-known to most jazz followers in Australia (and internationally) as the founding Artistic Director of Victoria’s three major jazz festivals – Melbourne International Jazz Festival; Wangaratta Festival of Jazz and Blues; and, Stonnington Jazz (as well as jazz critic with The Age newspaper for around 15 years). In the past year he has had to deal with some adversity, and been unemployed, and over the last few months this has been further exacerbated with health problems. Continue reading
Adrian Jackson (left) with Barney McAll at Wangarratta in 2013
Meanwhile, after 27 years as founding Artistic Director at Wangaratta (as well as the Melbourne and Stonnington jazz festivals), Adrian Jackson is currently unemployed, and in need of some non-major medical assistance. Knowing the ‘inside’ story, I can confidently state that both the Wangaratta and Melbourne festivals could have easily “fallen over” in early years of financial strain if Adrian had not gone way beyond the A.D. role, and worked on management and budget aspects (as well as taking effective pay cuts). He has also ‘backed’ the Australian creative music scene when this music does not always deliver audience numbers (I recall seeing ‘Band of Five Names’, with Phil Slater, playing to a modest audience at Chapel-off-Chapel as part of Stonnington Jazz almost a decade ago, but support like that often ‘bears fruit’ later, like Slater’s suite at Wangaratta). Continue reading
It is with great pleasure (and some relief) to be able to report that the Wangaratta Festival was clearly an overall success (particularly in terms of both attendance figures and musical standards), and its immediate future is assured.
At the time of the announcement that Adrian Jackson would not be re-appointed as Artistic Director, I made the point that in addition to a change in A.D., the Board also needed to hit the “reset” button and make some real improvements to the event (such as securing more corporate sponsorship). They delivered on several changes, with Continue reading
On Thursday I heard the entertaining late set from tenor saxophonist Eric Wyatt at Bird’s Basement (with the bonus of Sydney trumpeter Warwick Alder guesting on two tunes). He pointed out that this Saturday marks John Coltrane’s birth date, for what would have been his 90th birthday, and he intended to celebrate it with a “special tribute show” (With his dynamic pianist, Benito Gonzalez, heavily indebted to McCoy Tyner’s concepts, and Wyatt an authentic “out-of-the-tradition” stylist and “down home” leader, it should be a very worthwhile experience).
Last week we had Coltrane’s surviving son, Ravi Coltrane’s Quartet at Bird’s, after their Australian debut there last March. On this visit this group was far more dynamic, powered by the great drumming of Johnathan Blake. With the interplay between Coltrane and Blake (sometimes as a duo), one could not help but be reminded of the approach and template created by the great partnership between John Coltrane and Elvin Jones.
I was extremely fortunate to hear both McCoy Tyner (1978) and Elvin Jones (1984) still in prime form as bandleaders, and in venues that Coltrane performed in: The Village Gate, and The Village Vanguard. While both groups delivered truly inspiring performances, one realised that this only gave an inkling of what a Coltrane Quartet concert performance was to experience. On his 2005 MIJF visit, Wayne Shorter told a story of most of the Jazz Messengers band going to see the Coltrane Quartet during their set break, and becoming so mesmerised that they did not return in time for their second set. The club owner came down to bring them back, but he too became entranced and forgot about the time!
Realising that this year marked 50 years since his passing (on July 17, 1967), it is revelatory how powerful and relevant his music remains. We are fortunate that the Impulse label provided him so much studio time, and kept all of the unreleased recordings. The official Coltrane website is a great resource to check out (especially the audio of his interviews). Visit it here. Billboard covered the range of events marking Trane’s 90th. here
(*Martin Jackson is editor of the Melbourne Jazz Co-operative’s journal)
Which neatly sums up the quiet little Jam Session that took place last Sunday. Plenty of opportunity to gyre and gimble, and none missed. A smaller bunch of jammers than usual (17) concocted a variety of tempo, and tones. And then had them altered at random.
All of which made for the usual gossip-mongering over a refreshing social lubricant, munchies from Glen, and the early departure of several rather good musos.
And the orchestra played on… Continue reading
But it might as well be… this was an upmarket little jam session, characterised by early and mighty fine bebop, followed by a parade of singers. All bound together by the indefatigable Ivan (double bass), playing all afternoon, and playing well at that.
The Captain, Volkers, Will and Jeff led the rattle and squeak section, with Mr Findlay leading out the drummers. A fairly new guitarist, possibly called Haydn, played well; and Nadira Farid’s bassist (Hayden?) gave Ivan the briefest of respites whilst the Big Ho’s finest warmed her tonsils for that night’s gig. Preceded by the Divine Miss Smith, and followed by Chloe, then Katerina. Sam Izzo (piano) mercifully restored some dignity to proceedings. Continue reading
Fashionably late, I staggered through the door of the Gold Street Gossip shop in time to hear Curtis, Colonel T, Captain Chaos, Fermin, Findlay, Steve Bray and/or Bill and the motley crew tweak some irretrievable version of a Monk tune (name withheld to protect the guilty) before settling down to listen to Lisette bring some calm and disorder to the proceedings. I then retired to the back bar for a bit of a gossip with POCKOTL
There is a satisfyingly predictable trajectory to the jam session which sees the singers take over around 6pm and this session Continue reading