“Well,” Madge remarked as she barrelled the Kingswood through an army checkpoint, “that went well.” Coppers and Squaddies diving for the ditch, and the evening sky soon lit up with flashing blue lights. Hortense, clinging forlornly to the broken door handle, didn’t think it had gone too well at all.
Of course, Madge had a tactical advantage, as, with all the squaddies facing in the other direction, she was trying to sneek back into Victoria after a lengthy sojourn in NewSouthBloddyWales prompted by reports of cruise liners full of matelots with nothing else to do. She is, anyway, getting a bit old for that sort of thing.
But I digress – the return was prompted by their plan of making a home recording of Lil Johnson’s 1936 smash hit “Was I Drunk, Was He Handsome and Did Momma Give me Hell” funded by newly announced Government funding. A gap had emerged in the market for this sort of thing, and they both thought they should grasp the opportunity whilst the entire Music Industry was wringing its hands and thinking about trousering some of the Government cash on offer. Taxpayers money! Madge was quite happy with this, as she hadn’t paid any income tax since about 1973, shortly after the Bairnsdale Working Mens’ Club debacle.
So… zooming along a deserted freeway in the middle of the night, trying to call up Rotten Ronnie, lately third sax in Trixie La Belle’s Academie de Dance, to see if they could get him to solo for free. Madge and Hortense proposed to share the vocals, and who gives a toss about the drummer…Madge figured they would be a shoo in for the Government money if they put in an application for the Strangled Ferret even though it burnt to the ground years ago.
So, once back in dear old West Altona, the Refinery Terrace garage serving as Recording Studio, away they went and…
Well, you will have to wait until next week to find out.
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