Sunday in St. Kilda

It doesn’t seem so long ago that getting to The Post involved a mad dash through the rain, with a chill winter wind wrapped around yer ankles. Yesterday’s was a casual stroll in a warm afternoon breeze, to be greeted by the sight of Mike switching cables, plugging in doodads and hanging the speakers off the ceiling. We wisely stayed schtumm as the debacle unfolded…plenty of time to reflect on what else could be beneficially hung off the ceiling

And through it all, the sound system, once tweaked, twiddled and tuned, was the best FOH we have had so far.

So, once sorted, we launched into a bright and tight set from Jess, who grows increasingly confident as well as tuneful, and as a result will be singing almost every song in her current repertoire at next Saturday’s Box Hill Anglican Church bash – in the company of Piers (bass), The Captain (saxophone), Steve Bray (drums), Huich (violin) and meself on keys, all being well. The cacophony should be appalling.

The band (L to R) : Huich, Shota, Guy, Jane …and the Captain
smartphone photo by Michael Findlay

Then newcomer (but experienced) Kerry morphed from I might sing, to can I do some more?, and got better and better. Singing with the Jam Session Orchestra can be a daunting affair at first.

So, was it a good Jam Session? Actually, not as many people there as has been the case recently, perhaps due to daylight saving confusing everyone who wasn’t confused already. A quick tour of the joint to hand out promo cards revealed that almost every one not called Rod or Bette hailed from the local ‘burb or Arizona.

The best trio set that I can remember The lack of musicians led to a hot set from Gentleman John Curtis, Ivan on bass and Steve Bray on drums. The pub fell positively quiet as this august trio attempted what has rarely been tried before – playing real music; unencumbered by superfluous guitars and saxophones. Who will all get their turn next week.

Not to be outdone, Laurie then played some positively lush baritone – Moonlight in Vermont, if I remember rightly, followed later on Now and Forever, the Pat Metheny ballad.

And the afternoon was topped off by Jane – after an up tempo first set, she got up again, (and again I think), causing at least one seasoned jammer to comment that she seemed to know what she was doing. Never mind, she can always cock it up next time…

At which stage, I remarked to new barman Toby (ex Heavy Metal pub) that listening to jazz could rot your brain – you only had to look round the room to realise that. He gave me a blank look, right between the eyes.

Rare(ish) contributions from Agus (piano) Huich (violin), and later Guy (tpt) and a positively decadent take on Summertime from the aforementioned Jane, with Trevor Prasad on keys. Susie put in a late set – Black Coffee, All Blues and Comes Love. Sweet.

Great way to finish a classy afternoon – 22 musos, not a train wreck, no ‘effing up the form, mainly in tune even. Come on lads, you’ve got to do worse than that – we have a reputation to destroy..
TW

One Comment

  1. ‘Twas a tenor and I’ve never even heard of the Pat Metheny piece! It was, set 1) Beautiful Love and Moonlight in Vermont, and set 2) Moanin’ and The Jody Grind!

    Reply

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